For my second-year university project, I selected a stunning 17th-century bodice and skirt from one of Janet Arnold’s pattern books. The project required us to construct the garment as it would have been originally made, which meant working entirely by hand without the use of a sewing machine, as they were not yet invented during that time period. This challenge excited me, and I was fortunate to have the opportunity to view the original garments in the Gallery of Costumes Museum archive in Manchester. During a two-hour slot, I meticulously measured and photographed the items, gaining valuable insight into the construction techniques.

Using lightweight calico for my recreation, primarily due to budget constraints and the unavailability of the original fabric, I focused on replicating the garment’s form, shape, and construction techniques. Despite the challenges, I found great joy in the process, feeling liberated and rewarded by the hands-on approach. Looking back at the finished costume, I am amazed that I hand-sewed the entire piece, a testament to my improved sewing skills and problem-solving abilities. The small size of the finished garment required me to purchase a mannequin and modify it to accurately display the project, further enhancing my learning experience. Overall, this project was immensely rewarding and significantly contributed to my development as a seamstress.